Dwayne: As Wilhelm said⦠The point is not that you have to send RGB to the printer. As the “art guy” at a small magazine I can see how this can save me time in my workflow. This is especially true if the designer is working and releasing files by viewing on screen only and does not have access to a color managed high-end output laser printer or ink jet proofer. Found inside â Page 667But it may also convert your CMYK colors from their original space to Newsprint, too. ... profile before printing with Assign Profile or Convert Profile. Export as PDF. You can tell InDesign whether to color-manage your exported PDF ... Currently I create a single InDesign document. You may end up with the same color shift or something completely new but you never know. If you send PDF according their specification, it has not to bother them where the conversion takes place. I think this post needs a counter-post as the reasons and why to convert to CMYK before placing into InDesign! Will any of the InDesign present PDF exports convert Pantone colors to CMYK or will they always remain a spot color? But does it have the same quality as with m,manually converting each images to cmyk via photoshop? PDF2ID has been helping Creative Professionals, Graphic Designers for more than 13-years in . Rich black should be used only in larger color areas, such as an all-black back cover on a magazine printed on an offset press. It is all coloured tints defined in RGB. There are times it is better to be uniformly off, peoples eyes will accommodate. I love the idea that I will not have to convert the photo, but are modern presses really clever enough to print in multiple color formats? For example, if you apply a solid RGB color 0/255/255 (which is bright cyan) to a frame and then print it, youâre not going to see a perfect 100% cyan in print. Placing of images seems to be a matter of personal preference. There for the CMYK value must be changed to C0 M100 Y0 K0 as well as the color must be a solid . Please contact me at “david at indesignsecrets.com” and maybe send me a link to download the files you are working with. Nothing wrong with PDF/X-1a when sending to a publication or unknown printer; it is the “lowest common denominator.” But our point in this article isn’t about output, it’s input⦠that it is okay to import RGB images. Other times you have to create rich black inside the picture, or you might need a black is that just one color, if you send a comic book in RGB, the black will be converted into four colors. It’s not that I’m particularly fond of converting loads of images to CMYK, especially since I can still run into an ink coverage problem later on when, for instance, I place text with a drop shadow over an image. > What you might need to be concerned about are any grayscale ICC profiles on placed grayscale images and compatibility of such with the default CMYK ICC profile. Maybe not? I save the Illustrator file as an .ai file and do not put a check mark into “Embed ICC Profiles”. Really? Turn on the import option when importing images, there you can choose the rendering intent. Would replacing them with print-quality RGB 300dpi images make the InDesign file more friendly to both print and ebook creation? That’s why I don’t use RGB in InDesign for jobs that print on a press. But that does not mean that you have to place CMYK images into InDesign. . To subscribe to this RSS feed, copy and paste this URL into your RSS reader. But if the resolution is 72 and the pixel dimensions are small (like a low-resolution image from a web site), then increasing the resolution isn’t going to help very much. Or you can do this in Photoshop, but many designers would balk at the process, even if itâs scriptable. Adalbert, so if you have âPreserve Numbersâ turned on for the PDF output (not your colour management policies, which is a separate issue) – then your exported PDF files should not have native InDesign 0cmy100k objects being turned into rich black. When you hover over the Colour Conversion drop down menu, look at the Description tip at the foot of the window⦠The devil is in the details! Or am I mistaken? InDesign CC 2019: 1. And to be brutally honest, I do believe that one of the factors of management decisions to discontinue printed versions of publications has to do with the cost of and time required in preparation for printing. I can’t say the same thing for files from the UK that we receive. Please kindly advise me. I earlier posted in this thread a link to the VIGC website where there are a suite of different total ink ICC profiles based on modern/current specifications. EDIT: Or, Dave’s new “240% ink limit” posting this morning. Use 300dpi RGB .tif files (an RGB .tif file looks strange to me so I was hoping for confirmation), or something similar. Be very careful here!!! Click on File then Open in Adobe InDesign or press Ctrl+O and browse for the project you want to convert to PDF. Click the yellow alert triangle to convert to the closest in-gamut RGB value, so you wonât be shocked when the color is converted to CMYK. You can convert all your colors to RGB upon export to PDF (in the Output pane of the export dialog box). Placing the resultant PDF/X-4 into an InDesign document preserves the color spaces of the RGB images and profiles placed by link into Illustrator. Unless the PDF was created in Illustrator with the âIllustrator editing compatibilityâ option, you are likely to do significant damage to the PDF file by opening and saving in Illustrator, especially in terms of text (Illustrator does not use any fonts embedded in the PDF file and thus, if you don’t have the fonts installed on your system, you get font substitution that persists when saving) and color spaces. When I see here in Europe, that someone is using US Web Coated (as many do), I know that they have not taken care on their CM settings nor on the output. A reality to all the people I have trained since 2002 (InDesign 2.0). I think it is quite clear from my comments that I understood that I could use rgb in InDesign and supply the printer with CMYK files. For new content, I would agree! BTW: colors will always be converted to the CMYK if you use these presets (next to some other features that will be set correct automatically for you). There’s an easy solution to the RGB black issue: just separate using a max black GCR setup. What's the percentage of strange matter inside a star at any time? There's a plugin from Rorohiko called "Color2Gray" that will convert placed color images to gray. One of the biggest finnish newspapers… But a little question. They publish do digital media (tablets! But to my knowledge, most digital presses also presume a print-related working space, some flavour CMYK or Pantone. The printers I work with simply want the customer to recognize color shifts before they’re holding the printed piece in their hand. All Rights Reserved.Design by: Lotus Child | Site by: Larry Jacob Internet Marketing. For example, a CMYK version of a Pantone in your document? With a RGB workflow you are on the more secure side than with the CMYK workflow. Is that not best applied to an image in the output color space? And when the gcr/ucr conversions are relied upon with various rendering intents during conversion, further inconsistencies can arise, even though the target ink levels have been met. Back in InDesign, you can now just click the picture frame with the Direct Selection tool and hit delete to empty the frame out (while keeping the frame so you don't break your layout). If my document contains incorrectly profiled cmyk images and rgb images, and I want to convert all to a new destination profile while preserving native cmyk objects. Rgb2cmyk.org is a free online tool that allows you to upload an RGB document and generate it with a CMYK color profile in either JPG or TIF . Dov, two suggested feature requests that would probably help users a lot: 1. PDF2ID has been helping Creative Professionals, Graphic Designers for more than 13-years in helping . A lot of designers think CMYK is the way to go when designing for print. Thank you! I’m wondering: what color mode should be used for vector artwork that is intended for laser printers or inkjet printers, since those are RGB devices. So, still, the rule is: place images as RGB and convert to CMYK upon export only if you need to. Alicia, you’re right: just ignore the RGB warnings. I am not David, but I think I can answer your query. Unless a printer specifies a PDFx4a file from me I will always send a PDFx1a converted to Coated Gracol 39 CMYK (unless it’s on uncoated stock which is rare). The âwhich CMYKâ is a new question for a lot of people, because they think thereâs just one CMYK. Other than that – the RGB to CMYK via InDesign is a time saver and is fine for non-colour critical images that just need a conversion to CMYK for print. So much for being a print âserviceâ provider. FWIW, I thought your query was well-thought-out, cogent, and straightforward, without even a hint of “demanding.” You were respectful, gave pertinent information, and asked the questions in such a way that they could, in fact, be answered in a 1-2-3 format, as you suggested, and as Mr. Yocum was kind enough to do. (How well and what the conversion looks like will depend on the actual swatch and it’s color-space – new LAB or old CMYK). What profile is in this setting when convert/preserver is used? E.g. Hi there, You can convert RGB to CMYK at the output stage using the Output tab in the print dialogue box. Manually âfixingâ such a file by artificially up-rezing the images to 300dpi won’t do anything that the RIP doesn’t do itself. I think this has to do with the setting in the Simulation Profile pop-up menu. Which CMYK profile suitable for offset print and digital print? No one understands that better than the authors of this book, who draw on their own real-world professional knowledge to deliver all the industrial-strength production techniques and timesaving tips you need to start creating print and web ... The File menu is at the top-left corner of InDesign on a PC, or at the top-left corner of the screen on a Mac. This is marvelously clever! They have some well misunderstanding statements there. If your clients are using Microsoft Word, chances are they also use PowerPoint - which means that, if you haven't already, you'll probably be asked to provide designs in an editable PowerPoint template. But ultimately, for desktop printers, you often just have to test to see which works best. It left me with a question though. Gracol). Go for PDF X/4. There doesn’t seem a way to prevent InDesign from converting the greyscale ones to CMYK (if coloured in InDesign for example). I’m going to use your method from now on! Dov, thank you so much for the extensive answer, I really appreciate it. Have you ever see what software are used to produce press plates (for high quantity prints) or even those so called “Web-Press”? Found inside â Page 22817 The ' Compression ' settings when generating a 300dpi PDF document from InDesign . ... So , choose Convert to Destination ( Preserve Numbers ) ' as the ' Colour Conversion'setting and Working CMYK'as the Destination . NOTE: In my testing, perceptual rendering intent added a lot of âsecret sauceâ luminosity variation to the conversion, drastically changing contrast/tone – while relative colorimetric intent was faithful to the original in the tonal conversion (of course, one should use BPC with relative colorimetric intent and if BPC is not available I would use perceptual intent rather than risk clipping shadow detail). I’ll put in an ECO to the InDesign team to change that from a âwarning of a problemâ to an informational note to eliminate such concerns. InDesign can convert those RGB images to CMYK when you export your PDF file. For Spot colors, choose Spot Color in the Color type drop down. I can get them back using layers, but this has never happened when using RGB. For your reply to Troels, I thought the issue is about how adobe handles netted or chained content with icc profile tagged… and what about source profile, destination profile, rendering intent, preserve number…etc. 1. Yes, sure, please ! We routinely get files with RGB graphics AND text. Convert JPG To TIFF How To Change File Format Adobe. From reading the article above and all your excellent comments am I right in thinking this is what I should do… If you have to do this on a regular basis it might be a good idea to invest in the Pantone Color Bridge swatch books which display a Pantone solid colour swatch next to a swatch printed in CMYK with their recommended ink values. Thus it was that, in all the land, a decree went out, ordering that Thou Shalt Convert Thy RGB Images To CMYK Before Sending Thy Job To The Printer. But if the file and the PDF is made correctly, they shouldnât need to touch your original files. They are already âcookedâ you wonât gain anything by converting them to RGB, unless you are going to enhance the colour. Are there specific requirements to the PNG they generate. Therefore I would also recommend preserving numbers, otherwise, you will encounter a CMYK-Lab-CMYL-conversion. I use InDesign to create product documentation (datasheets, installation instructions, flyers, etc.) Keep in mind that Spot color content will remain spot — it will NOT be converted to CMYK. Great question, following! Note that in general conversions from ICC Gray to some ICC CMYK color space will result in something that is NOT CMYK=(0,0,0,1), but apparently, current InDesign places grayscale images and exports same without whatever ICC profiles were in the images to start with, unlike ICC profile-tagged RGB and CMYK images. Found inside â Page 212Export Adobe PDF PDF / X Output Intent Profile Name : Output Condition Name : N / A Output Condition Identifier : N ... When you turn on this option ( Figure 8-6b ) , InDesign CS2 will not convert any CMYK colors to the new CMYK color ... The tone and gray balance is very slightly different, not enough to really worry about, the press variation will no doubt be greater! Would placing .pngs or jpgs cause any issues? Re: EPS⦠I agree with Dov. In neither case did the resultant PDF from InDesign show a tagged image. Hi! A secondary option would be the High Quality Print conversion options with absolutely all profiles embedded and no color conversion at PDF creation time. This video is to provide customer training by Excard Online Printing, Malaysia 1st Online Printing to serve-Graphic designers, -Advertising professionals, -G. Basically you confirm my thinking that PNGs should have the same quality as the TIFFs have now. Funny you should mention it, as I’m editing a terrific article by Steve Laskevitch on how he created a book that worked for both print and online publishing (single InDesign doc)â¦Â he argues that RGB can be a reasonable color space to work in — even with document color swatches! ~~~~~~~ I don’t know if png was the right format, but anyway, my real question is, why does InDesign alert you as if you are doing something wrong in saying “ahhh you have files that are in RGB” before you package a file? Most people are far more likely to get ink limit problems when editing CMYK images than RGB because ink limit is taken into consideration when converting to CMYK. 5. building your custom digital devices is a lot of work and expertise, which you need a dedicated person or hire a professional…u need the knowledge tools of hardware/software device vendor support to really get the true device gamut available for specific substrate at specific resolution and other parameters; I think a good profile is highly specific and exact condition has to be met. When you convert RGB images to CMYK, you lose those out-of-gamut colors, and they wonât come return if you convert back to RGB. I can’t recall exactly what steps I’ve taken that causes this conniptions, but it happens. from what I understand from your description is that you have these done not so right: Regardless of what I think a printer should accept, forcing something on a printer that they think they can’t handle or don’t want to handle in a recipe for disaster. Scroll down and under 'Protect and Standardize' select 'Print Production'. File > Export > Save As > Output > Color Conversion > No Color Conversion fixed it for me. I have recently been working with a large client where I am updating existing artwork which I suspect was produced by an in-house designer who has since left them. Is it best to place these as RGB (like they currently are) or convert to CMYK first? You don’t have to stay in here!” Some people immediately jump up and taste freedom; some wake up to the new realization slowly; and others refuse to believe it, knowing that staying behind bars is more comfortable than facing the unknown. How about PROFILE INCLUSION POLICY, does it matter what to choose, INCLUDE DESTINATION PROFILE or not? Me is: place images as 300ppi RGB, unless you are supplying artwork as a technical or aesthetic.! To popular belief, Adobe Illustrator is neither a general purpose EPS or PDF files images than the... Often and yes kindness is free in 2006 when I choose “ Preserve )... Also presume a print-related working space profile Mismatches: ask when it ectually,. Conversion and the preview is insufficient compared to CMYK as opposed to converting everything to CMYK the requirements the. Also need black to overprint when on background colors working with now already are the. Web based PDFs is Smallest size a TIFF.A resolution of 300 dpi would mean 4X larger file,. In PDF output, this has to be 0.25pt for `` where are the same color shift or something new... Rely on conversions and previews date default Adobe profile that differs from document! 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